 I know, I know. The idiom is “two heads are better than one,” not “three heads are better than one.” But in this case, I cannot imagine 100 Bugs! A Counting Book existing without the editor, Janine O’Malley or the illustrator, Suzanne Kaufman. If you read this blog post https://epiceighteen.weebly.com/blog/100-bugs-a-counting-book-from-manuscript-to-book-by-kate-narita you can read about how the manuscript morphed into 100 Bugs! over time as a result of collaborating with Janine and Suzanne. Today, I’m going to highlight aspects of our collaboration that I didn’t cover in the Manuscript to Book post. First off, I want to credit Janine O’Malley for finding Suzanne Kaufman. In case you don’t know, most authors don’t pick the illustrator, the editors do. When Janine emailed me Suzanne’s rendition of the candy-striped leafhopper, I couldn’t believe my luck. Suzanne’s vibrant, detailed rendition of the leafhopper was more beautiful and accurate than I could have ever imagined. Janine continued to make superb decisions that created the best book possible. If you want to read about how Janine changed the beginning and the end of the book as well as how the Macmillan team chose the book’s title, please refer to the post above.  My excitement didn’t stop with seeing Suzanne’s artwork though. It continued because she reached out to me through social media which is unusual. Many authors don’t have any contact with the illustrator of the book. One of the changes that occurred as a result of this contact, which I didn’t mention in the previous blogpost, was the type of bugbane featured in 100 Bugs! Originally, I had included a bugbane with green leaves Actaea americana, but Suzanne wanted to feature Actaea simplex because the purplish leaves complemented the other colors in the composition.  The best part of collaborating with Suzanne was having the opportunity to meet her last summer when my family traveled out to Seattle. The four of us met Suzanne for lunch, and she showed me her sketchbook for 100 Bugs! which was amazing. Then, she gave me an amazing gift—original artwork featuring the characters in the book.  Collaboration creates a stronger piece of art and presents the possibility of life-changing relationships. So get out there, collaborate and create. It will change your life.
Kate Narita 100 BUGS! A COUNTING BOOK by Kate Narita illustrated by Suzanne Kaufman Farrar Straus Giroux June 12, 2018 Available everywhere books are sold. www.katenarita.com
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 As a picture book author, I write words that eventually will be paired with illustrations, creating a whole book. Since I’m not an illustrator, my vision is only one part of the finished process. A certain amount of trust is required to believe that the publisher, editor, and/or art director will create an extraordinary partnership between author and illustrator. With the debut of SCARLET’S MAGIC PAINTBRUSH, I couldn’t be happier collaborating with my incredible illustrator, Sandie Sonke (www.SandieSonkeIllustration.com), under the expert guidance of our editor and art director, Mira Reisberg, and our publisher, Callie Metler-Smith. While learning the craft of writing for children, I had always practiced the idea of leaving room for the illustrator. When I saw the illustrations and text of SCARLET together for the first time, I truly understood what that meant. During the editing process after I saw the illustrations, I streamlined the text by cutting words that weren’t necessary. My text became tighter in response to the images I saw appearing next to the words. For example, in an early draft, I had included the line, “Tears ran down her cheeks.” But since Sandie showed emotion in her illustration, this line was redundant. As the collaborative dance continued, the story grew stronger. And my ideas plus Sandie’s concepts turned into one creative vision. It’s amazing to see the artwork of my debut picture book. The book was inspired by the thought of a girl with a magic paintbrush. I didn’t know what that girl would look like and of course I couldn’t have contemplated all the lovely details that Sandie has included in her work. The finished book is a true melding of art and text, producing a seamless and cohesive whole. I hope that children who read this story will enjoy the themes of creativity and escaping perfectionism. And of course I hope they love the magic that emanates from each word and illustration! Thanks for reading about my picture book process. Good luck with all your creative collaborations! Melissa Stoller SCARLET’S MAGIC PAINTBRUSH by Melissa Stoller, illustrated by Sandie Sonke Clear Fork Publishing, August 2018 Available for pre-order at https://www.clearforkpublishing.com/store/p66/ScarletMagicPaintbrush. www.MelissaStoller.com   I’m happy to be on the #Epic18 blog today talking about the inspiration for my debut picture book, SCARLET’S MAGIC PAINTBRUSH (illustrated by Sandie Sonke, www.SandieSonkeIllustration.com). My inspiration story starts at the Metropolitan Museum of Art in New York City, one of my favorite places in the world. I live in NYC, and visit the Met often to attend art history lectures and to immerse myself in the incredible collection. The Impressionist galleries are always the highlight of my visit. One day a few years ago, while standing in front of a Monet painting, I thought to myself, “I wonder what it would be like to have a magic paintbrush and paint like Monet.” I couldn’t get that thought out of my head. What if I had such a magic brush? What would I paint with it? Would I love painting perfect pictures with this magic brush? And what would happen if I lost the brush? Would my creativity disappear? I wrote these thoughts in my writing journal. And then I let them simmer in my mind for a while. Eventually a story took shape. After much revision, I sent the draft to my trusty critique partners. And I revised some more. I also workshopped the story and received more critiques. And I continued revising. A few years later, in September 2018, I attended an SCBWI conference in Texas, where I met my publisher from Clear Fork Publishing, Callie Metler-Smith. I was already working with Callie on my chapter book, THE ENCHANTED SNOW GLOBE COLLECTION: RETURN TO CONEY ISLAND. I had discovered that Callie loved art history and the Impressionists as well, and we spent a day at the Kimbell Art Museum. I talked with Callie about my SCARLET manuscript, she loved the idea, and we signed a contract shortly after!  At the Kimbell Art Museum with Callie Metler-Smith And here’s the best part: a few weeks ago, when Callie was in New York City for Book Explo, we visited the Metropolitan Museum together. I showed her my favorite Impressionist works, and we took photos in front of the Monet paintings that inspired my idea of a little girl with a magic paintbrush. I know that whenever I visit the Met, I will always be grateful that the beautiful artwork inspired me to write what is now my debut picture book.  At the Metropolitan Museum of Art with Callie Metler-Smith Thanks for reading about my book inspiration! I look forward to hearing about how you find your story ideas.  Melissa Stoller
SCARLET’S MAGIC PAINTBRUSH by Melissa Stoller, illustrated by Sandie Sonke Clear Fork Publishing, Fall 2018 Available for pre-order at https://www.clearforkpublishing.com/store/p66/ScarletMagicPaintbrush. www.MelissaStoller.com  Where do writers find ideas? All around us! The idea for my forthcoming picture book took over my brain as I was in the middle of writing an utterly unrelated biography. In the fall of 2013, I got serious about my long-term plan of writing books for children. I focused on nonfiction picture books. That same time, we moved out of our house in town and into a new home in the country next to a beautiful hayfield. As the months passed, in between bouts of research and writing a pair of picture book biographies, I watched the beauty of the change of seasons around me. In winter, the landscape was covered with a blanket of white. Snowshoeing across the hayfield, I spotted the footprints and snow tunnels of various critters making their homes in, on, and under the snow: foxes and mice and owls and more. In spring, the snow melted and the squashed brown grass emerged in the mud. In a surprisingly quick transformation, that dead-looking ground cover greened up, the birds arrived, and the field filled with tall grasses waving in the warm breezes. When the grass grew high enough, on a dry and sunny summer day, it was time to hay. I found the haymaking process fascinating—and charming. First, the big farm tractor pulled the giant mowers that cut broad swathes up and down the field and left the long grasses flat on the ground. Next came the whirring tedders, which "wuffled" the cut grass to aerate it and facilitate drying. When the hay was dry enough, the tractor pulled the big hay rake up and down the field to form long windrows—piles of cut grass running the length of the field. And finally, the baler arrived to roll up the windrows, creating neat bundles out of the loose hay. Mower, tedder, baler, hay! The process had an air of magic to it – making hay was storing summer's grasses so they'd feed the animals all winter long. The rhythms of all these machines seeped into my mind, and I started to hear these lines running around in my head: "Listen and I'll tell the tale/of storing summer in a bale." At first, I thought I would write it all down in a poem. It soon became clear, though, that this story wanted to be a book—a rhyming picture book. Many people in my area (including the kids) are involved in haying and know all about it. But I realized that in most of the country, people aren't familiar with what hay is or how it's made. I researched children's books and couldn't find any about haymaking. And so I decided to write one. My book would be informational, and include the facts about hay—because, after all, I'm a nonfiction writer. But I invented a young narrator to tell the story of how we make hay.  Now, with the help of the beautiful art of master illustrator Joe Cepeda, my farmgirl narrator and her mother will soon come to life on the page. I am excited to bring Hey, Hey, HAY! from my country hayfield to kids near and far.
Christy Mihaly HEY, HEY, HAY! (A Tale of Bales and the Machines that Make Them) by Christy Mihaly, illustrated by Joe Cepeda. Holiday House, coming August 14, 2018. Available for Pre-order now. See details on www.christymihaly.com/hey-hey-hay. Jessie's thoughts: Dana and I picked our favorite illustrations but truthfully, THE REMEMBER BALLOONS has 40 pages of my favorites. However, I do have a favorite, favorite. At first, I was hesitant to share it because then it wouldn't be a surprise. But I also want you to read the book, and if nothing has convinced you yet, then Dana’s genius will. This spring when I visited the S&S offices and sat around a table with Dana; Art Director Lucy, Editorial Assistant Alyza, and Cheerleader Husband, I said to Lucy, “the three-panel spread is my favorite” and she said, “it’s because Dana is … an animator.”  Dana's thoughts: Usually when I start working on sketches for a manuscript, I have to read it a few times before I get a sense of how I want to approach the illustrations. But this particular image popped into my head almost immediately when I got to this part in the story. I have a background in animation and comics, so I wanted to draw this spread as if it were a storyboard or a 3-panel comic. I think when you can see how James is almost able to grab the balloon but then loses it completely, it has a lot more impact than if it were just a single image. Many times, when I visualize a story in my head, I imagine the characters in motion, so part of my process is figuring out how to simplify that into still images on the page. Jessie's thoughts: Jessie's thoughts: Dana's history with animation has added such movement and LIFE to these pictures. In this particular illustration, she really shows her animator’s spirit with the three panels and James’ movement across the page as he chases Grandpa’s balloon. I never would have dreamt of conveying it this way! The way Dana breaks up the text and adds these natural yet dramatic pauses. The desperation of James when he can’t catch it and Grandpa, in all his sweetness, as he plods on, unaware that his balloon has flown away. It's beautiful.  Dana's thoughts:
This is one of my favorite spreads because the silver balloon holds a special shared memory between James and his grandpa. It reminded me of the memories I shared with my grandfather that were just between the two of us. One of the things that I loved about Jessie’s manuscript is that even though it deals with a heavy subject, there are still moments of joy and lightness that balance it out without sugar-coating the story. In the beginning and end of the book, I drew James’ grandpa in a rocking chair on the porch, which I imagined would be his favorite spot to sit. My own grandfather would always be in his recliner whenever we came to visit. Also, I live in NYC where nice porches are a real luxury, so maybe I’m just trying to live vicariously through this character. Jessie's thoughts: In my April post, you'll have read a few words about the silver balloon. There is a beautiful spread with the memory inside the silver balloon, but you'll have to wait for that! But look! James and Grandpa share this silver balloon memory. The pride in James’ face, the kindness and love in Grandpa’s, and OH MY GOSH Dana invented a dog and gave him one balloon which is so funny, I want to laugh every time I see it. Because what dog can hold onto more than one memory at a time? I really just want to cozy up on that porch with the three of them and listen to Grandpa and James. (And I totally dig the front porch, too. My grandpa had a front porch that I loved.) Thanks for reading! We're excited to share our book with you come August!! Dana and Jessie THE REMEMBER BALLOONS, written by Jessie Oliveros, illustrated by Dana Wulfekotte Coming August 28, 2018 from Simon and Schuster Books for Young Readers   There are many excellent resources available for picture book writers and illustrators: classes, challenges, workshops, online writing communities, writing organizations, and blogs. The small sampling listed below have all helped me along my writing journey:
CLASSES: Children’s Book Academy - Dr. Mira Reisberg offers many fantastic writing courses, including The Craft and Business of Writing Children’s Picture Books, and The Craft and Business of Illustrating Children’s Books. Daily lessons, weekly live webinars with agents and editors, an interactive Facebook group, critique groups, the opportunity for one-on-one critiques, and a “Golden Ticket” submission contest make these classes extremely worthwhile. Also subscribe to the CBA blog, BLOGFISH, where I’m a monthly blogger focusing on craft. www.ChildrensBookAcademy.com. Making Picture Book Magic - With small-group learning and interaction, Susanna Leonard Hill’s picture book course is an excellent introduction to writing in this genre, and her ongoing Facebook group provides continued support. https://susannahill.com/for-writers/making-picture-book-magic/. Also check out Susanna’s blog and her writing contests. www.SusannaHill.com. CHALLENGES AND WORKSHOPS: 12 x 12 - Julie Hedlund’s picture book writing challenge encourages members to write 12 picture books in 12 months. The paid challenge includes monthly webinars, inspiring blog posts, curated resources, an interactive Facebook group, a forum of opportunities for critiques and discussion, opportunities for submission to agents depending on membership level, and much more! Highly recommended for picture book authors at all stages of writing. www.12x12challenge.com. Also check out Julie’s blog at www.JulieHedlund.com. ReFoReMo / Reading for Research Month - This free challenge founded by Carrie Charley Brown and Kirsti Call offers a month-long community every March where writers read and study picture book mentor texts to help with their own writing. Daily blog posts illuminate the books studies. The Facebook group continues throughout the year. http://www.reforemo.com. Storystorm - This free challenge every January, run by author Tara Lazar, offers inspirational and useful daily posts about catching and cultivating story ideas. The goal is to think of 30 picture book ideas during the month. Prizes included! The Facebook group and learning continues throughout the year. https://taralazar.com/storystorm/. Inked Voices - Inked Voices is a paid community founded by Brooke McIntyre offering workshops, webinars, critique group setups, writing forums, and more to help connect writers. https://www.inkedvoices.com. Art of Arc: How to Analyze Your Picture Book Manuscript - An independent-study picture book writing class created by Alayne Kay Christian, focusing on character and story arcs. http://www.alaynekaychristian.com/page05.html. ONLINE WRITING COMMUNITIES: Kidlit 411 - an online group of writers and illustrators from all kidlit genres highlighting resources in the children’s writing field. http://www.kidlit411.com. Sub It Club - A support group for writers and illustrators interested in submitting to agents and editors. https://subitclub.com. WRITING ORGANIZATIONS: SCBWI - I highly recommend joining the Society of Children’s Book Writers and Illustrators and your local SCBWI chapter. SCBWI is the international professional organization for this industry. SCBWI hosts conferences and workshops and offers incredible resources for kidlit writers. https://www.scbwi.org. BLOGS: Aside from those listed above, Vivian Kirkfield’s Picture Books Help Kids Soar blog is invaluable: https://viviankirkfield.com. Vivian also hosts kidlit writing contests for adults and kids. * * * Thanks for reading this sampling of resources for picture book writers and illustrators. I hope you find the above helpful, and I’m wishing you the best of luck as you create your picture books! Melissa Stoller SCARLET’S MAGIC PAINTBRUSH by Melissa Stoller, illustrated by Sandie Sonke Clear Fork Publishing, August 2018 Available for pre-order at https://www.clearforkpublishing.com/store/p66/ScarletMagicPaintbrush. www.MelissaStoller.com  I have to say right off that I don’t know how I would have made the journey to publication without the generous kidlit writing community. So many people have helped me in so many ways. So, what’s been the most helpful?
Writing – Top 3
Subbing
Overall, it’s important to “know thyself.” As I mentioned in another blog post, you have to be able to assess where you’re at and recognize your needs, to leave behind what is not pushing you forward and reach for the opportunities that will take you further. It’s hard to justify paying a lot of money for events when you’re not making any. Take advantage of inexpensive courses until they don’t help you anymore. Then consider a leap that might push you to the next level, maybe out of your comfort zone. Most of all, join the writing community because, as with most things in life, it’s our peers that are the best guides. Reach out and take part. And when you’re ready, share your experience. Many thanks to the kid lit community! Write on! Beth Anderson AN INCONVENIENT ALPHABET, BEN FRANKLIN & NOAH WEBSTER’S SPELLING REVOLUTION by Beth Anderson, illustrated by Elizabeth Baddeley Paula Wiseman Books/Simon & Schuster Books for Young Readers, Sept. 25, 2018 Now available for preorder. https://bethandersonwriter.com  I have zero artistic talent. I mean, I'm not so bad at stick figures, but anything beyond that? Forget it. So the idea that an artist can create these pictures that are meaningful, beautiful, and fun blows my mind.
My favorite illustration from my series of nonfiction picture books is the first one that Hui Li did for us. I am extremely lucky that I also work as an editor for the publishing house (Nomad Press) that published my books, so I got to be a part of every single step of the process, from concept to illustrator search to editing to checking final proofs. And I'm pretty sure my absolutely favorite moment in this entire process was when the team took a look at the dozens of entries we received from our call for an illustrator. While many of these illustrations were truly gorgeous, one stood out. It was a spread of two kids watching out a window as a woman walked by with her dog. Red cheeks, button noses, and an adorable dog, a loud radio—four of us from the design and editorial teams stood at the design studio table for half an hour to point out new elements we kept spotting. It was the kind of picture that kept drawing you in, that you could look at for a week and still discover something new. It was filled with motion and color and energy. There was really no contest. And Hui kept impressing us, all the way through the illustrating process. But with all of the illustrations she did across four books (!) it's that first one that makes me smile every time. Because that's when the book was truly born. Thanks for reading! Andi Diehn WAVES by Andi Diehn, illustrated by Shululu (Hui Li) Nomad Press, March 2018 andidiehn.com  I absolutely love the artwork in my debut picture book, SCARLET’S MAGIC PAINTBRUSH. My illustrator, Sandie Sonke (http://www.sandiesonkeillustration.com) expanded on the essence of the story with her beautiful illustrations. Sandie truly understood my vision, and exceeded my expectations. I always thought that the magic of a picture book occurs when the pictures meet the words, and now I know this is true. When I first saw the illustration that became the cover, I stared with tears in my eyes. I keep a photo of the cover on my phone and peek at it quite often! Here are two of the inside illustrations that I particularly love:  The first page spread introduces the story. Sandie shows Scarlet, with her red hair and flower wreath, holding the magic paintbrush. Scarlet’s expression is full of joy. The brush radiates its own distinct personality thanks to Sandie’s depiction. On the opposite page, Sandie shows paintings of a princess, unicorn, and fairy. The color palette Sandie chose is soft and vibrant. And Sandie’s placement of Scarlet’s pet dog here on this first spread and throughout the story is an extra visual interest that young readers will enjoy. I am also fond of this second spread. Here, Sandie depicts the moments after Scarlet loses her magic paintbrush. Readers will notice Scarlet’s dejected expression. Even the dog is hiding under the table. I hope that kids will be able to relate to this experience of losing something important to them. Also, I was delighted to see the cat clock hanging on the wall. I had the exact same clock hanging in my room when I was a little girl. I know that whenever I open the book to this page I will smile.   As something to look forward to, the final spread is a total masterpiece!
Thanks for reading about these enchanted illustrations from my debut picture book – I’m so excited to share the entire book with everyone soon! Melissa Stoller SCARLET’S MAGIC PAINTBRUSH by Melissa Stoller, illustrated by Sandie Sonke Clear Fork Publishing, August 2018 Available for pre-order at https://www.clearforkpublishing.com/store/p66/ScarletMagicPaintbrush. www.MelissaStoller.com With an amazing illustrator like Elizabeth Baddeley, it’s hard to choose a favorite illustration! From sketches to proofs to F&G, the whole process was new for me. What fun to see the story go from my imagination to something much grander! The illustrations are bursting with life, humor, and historical detail. Ben and Noah are captivating, and Elizabeth’s creative surprises depicting spelling issues are delightful. So how do I choose? Each illustration is endearing in its own way, but I have to admit to some favorites that just blew me away - because of the amazing creativity, or the energy, or the details that support the text and provide context. I don’t want to share my favorite at the end – I’d rather leave it for you to explore and discover. But just because you took the time to read this, I’ll share one in the middle that I find totally irresistible. It’s jam-packed—full of energy and internal conflict (what’s more fun than that?) and subtle humorous details for those with a patient and keen eye. This basic scene of Noah Webster at his desk appears several times in the book, but is different each time. As much as I’d love to point out all the features of this illustration that I adore, I’ll ZIP IT and leave it to you…..  What an honor to have this amazing illustrator bring life to my text!
Thank you, Elizabeth Baddeley! Beth Anderson AN INCONVENIENT ALPHABET, BEN FRANKLIN & NOAH WEBSTER’S SPELLING REVOLUTION by Beth Anderson, illustrated by Elizabeth Baddeley Paula Wiseman Books/Simon & Schuster Books for Young Readers, Sept. 25, 2018 Now available for preorder. https://bethandersonwriter.com |
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